This is a film brand that has emerged in recent years. The CHM 100 film, which comes in a beautifully designed package, is actually a replica of the CHM 125 film that was released in Germany in 2004. Meanwhile, the Kentmere 100 film is essentially the same as CHM 100, but with different packaging. However, I have found that CHM 100 is actually an enhanced version of Kentmere 100, especially in terms of dynamic range.
I have also found that CHM 100 is particularly convenient to develop. With my own developing process, I can easily obtain satisfactory results. It is worth noting that many films on the market are manufactured by Ilford in the UK, and CHM 100 is no exception.
In terms of developing, CHM 100 is very user-friendly and similar to other films such as APX 100 NEW, RPX 100, and Kentmere 100. Additionally, the developing time of CHM 100 is also very close to that of Ilford FP4. As a result, many people believe that the formula of CHM 100 is the same as that of Ilford FP4, although there are some differences.
The packaging box of this Fuji film clearly indicates that it is developed using the CN-16 process, and not C-41. In contrast, Fuji’s other universal film, C200, has both processes printed on its packaging.
The CN-16 process offers a 5% higher contrast than C-41, however, this particular Fuji film is typically processed using C-41 at the developing shop, resulting in a decrease in contrast of approximately 5%. This creates an elegant and gentle feeling that many people prefer for capturing fresh-style portraits. For those looking to capture warm and gentle feeling photos, this film is a great option. Its box, which features white and green colors, gives off a healing effect.
Additionally, Fuji’s APS film uses a finer and thinner emulsion layer that can exhibit the delicate texture of a full frame on a half frame. This special coating appears to have also been applied to this film, resulting in the absence of any obvious rough particles. This makes it superior to Fuji’s Superia X-Tra400.
The ISO 400 film from Fujifilm, also known as Superia X-Tra, was considered a universal high-speed film during the era of film photography. It performed exceptionally well in many compact cameras with smaller apertures, and was versatile for both indoor and outdoor settings, whether for street photography or everyday gatherings. Fujifilm emphasizes that the X-Tra film has an extra layer of light-sensitive emulsion, which greatly improves its latitude and produces more natural color transitions.
Generally, color films have three emulsion layers – cyan, magenta, and yellow. However, the X-Tra film has an additional blue-sensitive layer, which significantly enhances its tolerance and allows for more delicate images in both bright and low-light conditions.
Compared to Fujifilm C200, the Superia X-Tra 400 film has an advantage in latitude and color reproduction, but its overall contrast is not outstanding since it is a high-cost performance film. It is positioned for family use, with a focus on natural skin tone reproduction. Personally, I really like its indoor performance – the colors are especially natural, and the film captures images with great precision.
The Fujifilm Superia X-Tra 400 is a high-speed film that produces fresh and natural-looking images, making it suitable for shooting situations that focus on people. Unfortunately, Fujifilm recently announced that they will stop producing this film, causing its stock prices to increase significantly.
Kodak Tri-X 400TX, the legendary black and white film, is included with the Leica 100th Anniversary Limited Edition M100 kit, which comprises of a Leica M-A and a Leica M Monochrom. Known as “the film that can be developed in water,” it is highly regarded in the photography industry and was favored by news reporters and Magnum photographers in the past. Its high dynamic range makes it especially useful for capturing candid and street photography, where there may not be time to adjust aperture and shutter speed.
While it has a wide dynamic range, it does not emphasize high and low lights, but rather has significant mid-tone contrast. This makes it suitable for both low and high contrast lenses. Although it may not be the sharpest film, it is still known for its sharpness.
One disadvantage of Kodak Tri-X 400TX is that its film base tends to curl, which makes it difficult to scan, especially with flatbed scanners like the Epson V series. However, the advantage of this curl is that the emulsion surface shrinks inward, reducing the risk of scratches and damage.
Fuji C200 continues to be produced and is priced very affordably, making it a highly popular choice among film enthusiasts. Its fresh and elegant style is widely appreciated, although its consumer-grade film tolerates underexposure less well than professional-grade film, which can result in the loss of dark details. Nevertheless, the distinct taste of color negative film, including Fuji C200’s unique character, sets it apart from digital cameras. Interestingly, C200 is particularly adept at capturing clouds with layers, which I have found challenging to achieve with digital cameras. Furthermore, its resolution in sunlight is impressive, making it an excellent choice for summer photography, as it can capture delicate and warm details with ease.
It’s a great all around film for everyday shooting. Great vividness across the entire spectrum, including vibrant reds, blues and yellows. Sharp depiction of all aspects of the subject from over all from to textural details. Beautiful, natural skin-tones rendition. Fine grain for a medium-speed film, providing consistently high quality even in enlargements. Accurate color reproduction even under fluorescent lights.
Best Budget Film
35mm format, ASA 200
Color print film
4 rolls of 24 exposures
CN-16 or C-41 processing
This film is exclusively available for purchase in Japan. It boasts an ISO rating of 1600, which can be expanded to 3200, making it quite impressive. The fact that film can achieve such high speeds is a blessing for lenses with small apertures.
Moonlight camera with moonlight film
The Fuji Natura camera, which is equipped with a 24mm lens and an f/1.9 aperture, is ideal for low-light situations, and it can automatically adjust to ISO 3200 when used with the Natura ISO 1600 film. This film can be used with any camera, either at ISO 1600 or 3200.
Indoor film
This film is well-suited for indoor and outdoor photography, particularly when used with pocket cameras, which tend to have smaller apertures. I often use this ISO 1600 film with my pocket camera for shooting at night or in low-light indoor settings.
Noise
To be honest, the grain of this ISO 1600 color film is not excessive, especially in low-light conditions. I actually like the grain, as it adds character to the images and is different from digital noise, which is often considered a nuisance. Additionally, Fuji has done an excellent job of managing the grain, resulting in a clean and textured look.
Color
Digital high ISO settings can often result in loss of color accuracy or saturation, but this is not a problem with film. The colors on the Fuji Natura 1600 film are vibrant and beautiful, with fewer visible grains under sunlight. The film performs well in both indoor and outdoor settings, producing vivid and lasting colors.
FUJICOLOR NATURA 1600 35MM FILM +leica z2x
Film Format: 35 mm
Film Type: Color Negative Film
ISO: 1600
Development: C41 Color Negative Processing
Exposures: 36
The Fujifilm Natura 1600 35mm film is perfect for shooters who are looking for a reliable 35mm high speed film.
In the decade when traditional film production declined and many companies went bankrupt in the late 20th and early 21st centuries, Lomography, a trendy form of photography, became immensely popular among young people worldwide. However, it was not until around 2012, when photography filters and a deluge of Lomo-style apps flooded the market for smartphones, that Lomography’s rampant growth was truly challenged.
Today, people can easily switch to various Lomo filters on their phones, without realizing that the exaggerated colors they admire actually come from Lomo film. Few people now seem to intentionally experiment with Lomo film, except for software engineers who need to simulate Lomo effects.
Warm Currents in the Air
What defines true Lomo photography? My conclusion is that at least one of the following must be present: a plastic camera body, expired film, or cross-processed slide film. Lomo cameras have cute plastic bodies that leak light and can use pinhole or plastic lenses to produce unexpectedly artistic effects. Expired color film can also create vintage or surreal colors, and some Lomo enthusiasts enjoy collecting various expired rolls. All slide film can actually be cross-processed, and this process yields an astonishing impact on contrast, grain, and colors, giving rise to a unique artistic effect.
Lomography X-Pro 200 is a slide film that can be processed as a color negative (C-41) film, producing true Lomo photography. The film’s name, X-Pro, indicates that cross-processing is required to achieve Lomo effects. The cross-processed X-Pro 200 yields a healthy skin tone, rich teal, aged indigo, rough grain, and countless other emotional sensations that defy description.
Perfect Artworks or Perfect Feelings
Sadly, Lomography X-Pro 200 is now difficult to find, and if it is discontinued, it will be a great loss for many Lomo enthusiasts who cherish this film.
Stock up on the Lomography X-Pro Slide 200 135 format slide film for whacked out colors, huge contrast and insane saturation.
Film Type: attribute_value_Color Slide Film
ISO: 200
DX code No:
Development: attribute_value_Cross Processing - C-41, Regular Processing - E6
Exposures: 12
Pack Size: 3
ISO 400 black and white film is a popular choice for capturing human subjects due to its high tolerance and larger grains. Kodak Tri-X 400 has gained a devoted following for its ability to handle push processing, allowing it to be used at ISO 800 or even pushed to ISO 3200. However, Kentmere 400, the film we are discussing today, is best used at its rated ISO 400 and should not be pushed beyond that. Its pricing reflects this recommendation.
Regarding Kentmere’s contrast, the film’s manufacturer remains a mystery, with some speculating it could be Ilford due to their shared UK base. Nonetheless, Ilford’s PAN 400 is considered to be of superior quality compared to Kentmere. Kentmere struggles with low-light situations and tends to produce deep blacks, leading to an overall high contrast look that can make images appear harsh, particularly when shooting with high contrast lenses or in high contrast scenes. Personally, I find it best to avoid using Kentmere in bright noon sunlight.
On the other hand, Kentmere 400 performs exceptionally well for indoor and subway portraits, creating a clean, bright look reminiscent of its white packaging. It appears to have a built-in half-stop yellow filter effect and also handles foggy weather with ease.
You will fall in love with his work just by looking at it
Looking at Frank Horvat’s work always gives one a relaxed and spontaneous feeling. Whether it is commercial work or street work, it exudes a spirit of euphoria and optimism. And this spirit is not built by relying on clean backgrounds and telling circumstances, but rather capturing a moment when the characters shine. He does not shoot surprisingly like other photographers, nor does he shoot seriously like some photographers, simply put, you will fall in love with his work at first glance.
I think it is difficult to introduce Frank Horvat in a sentence or two, or in an article, because he is a fashion photographer who is also very good in the field of street photography and is also famous for photographing club girls. Sometimes photographers don’t know how to be themselves.
Frank Horvat has taken a lot of black and white photos, but also a lot of color photos. But from his black and white photos I see more or “open”, no excessive sense of obstinacy, are naturally emitting a kind of optimistic calmness. This is perhaps the secret of his longevity. You can see that he was a very cheerful man.
