The Leica M9 moves like a silent minstrel through this maze of photons, capturing moments veiled by time’s relentless drift. At first glance, the image seems swallowed by night—an underexposed frame resembling an unopened tome of secrets.
Yet with three gentle stops lifted in post-processing, life surges into the dormant dream. The yellow bicycle awakens from shadows like the first amber rays of dawn, its radiance spilling across the scene. Surrounding foliage unfurls from the gloom, revealing hues steeped in the CCD’s chromatic alchemy—as if nature herself dipped her finest brush into twilight to paint this elegy.
CCD’s palette carries the warmth of aged bourbon, its tones ripened into velvety resonance. Every leaf, every gradient of light becomes a vessel of memory, whispering tales forgotten in dusty corners. Within this small rectangle of captured time, light and color unite in chorus—a hymn to moments resurrected from oblivion.
In an age of disposable gadgets, the 1956–1968 Leica Summicron-M 50mm f/2 Rigid and its sibling, the Dual Range (DR), stand like a Stradivarius in a world of plastic ukuleles. Priced between 800–800–1,500 (2025 USD), these brass-and-glass marvels are the Audrey Hepburn of lenses—elegant, precise, and eternally chic. Born when engineers were artists and aluminum was heresy, they remain the gold standard for mechanical perfection.
Aperture Click: Rotating the aperture ring feels like winding a Patek Philippe—each click resonates with Swiss precision. Modern lenses? They clunk like subway turnstiles.
All-Metal Alchemy: Machined brass, weighing 240g—dense as a Hemingway novel, balanced as a ballet dancer.
Dual Range’s Party Trick
Macro Magic: Attach the “goggles” (a clip-on viewfinder), and focus down to 19 inches—like turning a sports car into a moon rover. Purists scoff, but portraitists swoon.
Optical Scripture: The lanthanum Glass Revolution
Aspect
Summicron Rigid/DR
Modern APO-Summicron
Sharpness
A scalpel slicing moonlight
Laser-etched titanium
Contrast
Chiaroscuro of a Caravaggio painting
Instagram filter
Bokeh
Silk sheets rumpled by jazz
Polyester pillowcases
Build Quality
Rolls-Royce Phantom
Tesla Model S
lanthanum Glass: Leica’s 1950s breakthrough—lanthanum oxide lenses boosted refractive index without the ick of radioactivity. Think of it as swapping leaded gasoline for electric batteries, but with more soul.
Flare Note: Wide-open backlighting? On film, it’s a soft halo—angelic. On digital, it’s a Instagram “vintage” preset. Embrace it.
IV. Generational Wars: Rigid vs DR
The Purist’s Choice (Rigid)
Simplicity as a virtue. No goggles, no fuss—just a zen monk’s focus on essentials.
The Tinkerer’s Toy (DR)
Macro mode: Perfect for photographing wedding rings or a butterfly’s eyelash. Rarely used, always admired.
Shared DNA
Same optics, same soul. Choosing between them is like debating espresso vs cappuccino—both caffeinate your creativity.
The “Four Firsts” Legacy
First lanthanum Glass Lens: Ditching toxic thorium for lanthanum—Leica’s “green” revolution before green was cool.
First Computer-Designed Optics: 1950s IBM brainpower meets German engineering.
First True “Rigid” Build: No collapsing nonsense—this lens scoffs at fragility.
Most Cloned Design: Imitated by Cosina, worshipped by collectors.
Shooting Experience: Time Capsule in Your Hands
Film Love Affair
Tri-X @400 + Rigid = Cartier-Bresson’s ghost nodding approval. The lanthanum glass renders grain like stardust.
Digital Renaissance
On a Leica M11, microcontrast pops like a Wes Anderson palette. Tip: Add +10 “texture” in Lightroom to mimic its film-era bite.
The Chinese Proverb Footnote“青出于蓝而胜于蓝” (“Indigo blue is born from green, yet surpasses it”) A nod to how the Rigid, born from 1950s tech, still outclasses modern rivals.
Who Needs This Lens?
✓ Analog Aristocrats: Who polish their M3s with unicorn tears ✓ Minimalist Philosophers: Believing “less is more” (and proving it) ✓ History Buffs: Who geek over Cold War-era innovation
Avoid If: You need autofocus or think “vintage” means “obsolete.”
Final Verdict: The Unkillable Classic
The Rigid/DR is photography’s little black dress—always appropriate, never outdated. For the price of a Rolex Oyster, you gain:
A masterclass in pre-CGI engineering
Proof that “they don’t make ’em like they used to” isn’t nostalgia—it’s fact
Bragging rights at any camera club (“Yes, mine has the original box”)
“A lens that whispers: ‘Timeless craftsmanship never goes out of style.’”
Pro Tips:
Flare Fix: Use a hood from a 12585H—it’s like sunscreen for your lens.
DR Hack: Remove the goggles for a stealthy Rigid clone.
Collector Note: Black paint versions fetch prices akin to Picasso doodles.
Epilogue: The Eternal Rigid Leica keeps reissuing lenses like Hollywood reboots classics, but the Rigid remains stubbornly 1956. In a world chasing pixels-per-dollar, this lens is a brass-knuckled reminder: true greatness isn’t upgraded—it’s revered. As Cartier-Bresson might say, “Sharpness is a bourgeois concept.” The Rigid? It’s sharpness with a soul. Now go shoot something timeless.
In Leica’s pantheon of 28mm lenses—from the Depression-era Hektor f/6.3 to the cult-classic Elmarit v4—the Summicron-M 28mm f/2 ASPH (2016–present) stands as Olympus among mortals. This 254g aluminum oracle merges Walter Mandler’s optical philosophy with 21st-century aspherical sorcery, delivering f/2 brilliance at $4,500. Forget “versatile”; this lens is photographic divinity incarnate.
People often think that street photography is an infringement of portrait rights, but they don’t understand the nature and purpose of street photography as an art form. Street photography is a form of art that captures the essence of urban life in a way that tells the story of the city through the language of the camera. It also records people’s emotions and styles. It’s about paying attention, feeling things, and sharing your vision, not about being secretive or invasive. So, it’s clear that linking street photography with violating portrait rights is a big misunderstanding and a devaluation of this art form.
On the other hand, painters who work on the streets, whether they’re painting landscapes or people, work in a way that’s different from street photography but is still an artistic reproduction of the real world. Painters often choose to work on the street because it’s a great source of inspiration. They find the reality and diversity of life there really inspiring, and their paintings are a direct expression of what they see and feel, which is similar to street photography.
The street photographer is a skilled artist with a quick hand. The poet is more of a critic behind the photographer. Language can also be a part of photography. It can make a photo more readable. They were twins, and it was clear they didn’t walk at the same pace or have the same expression at the moment.
Leica M8 with Summicron 35mm f2 v4 King of Bokeh (7-element)
The reason why reflection is popular in photography is not because it looks like a mirror, but because if you flip the photo, you will see that this perspective makes the figure look more magnificent, yes, this perspective comes from the horizon.
Leica M8 with Summicron 35mm f2 v4 King of Bokeh (7-element)
I’ve developed a good habit: when I’m on my phone, I always stop and stand, and I’ve firmly given up the bad habit of walking and looking. This change came from a big wake-up call. I tripped over an iron screw on the road, fell on all fours, and the phone flew out several meters away, which was quite a mess. Luckily, there was no one around at the time, which prevented the situation from becoming a bigger deal. I was lucky that I didn’t bring my camera that day, or it would have been a disaster. I was also lucky that there were no street photographers around, or it would have become another “accidental scenery” photo. It turns out that those missing warning stakes of the barricade screws are hidden in the daily invisible traps, always reminding us to walk when we need to be more vigilant.
Leica M8 with Summicron 35mm f2 v4 King of Bokeh (7-element)
Vivian Maier captured a lot of portraits of people with a sense of the times, which made me realize that street photography doesn’t require a lot of compositional skills. Just take a picture of what you see and keep taking pictures of it. That approach will definitely be right. Because over time, even the most ordinary things can become unusual, and every person without expression can become meaningful. Time itself is an artist.
Leica M8 with Summicron 35mm f2 v4 King of Bokeh (7-element)
In many cases, when the subject is aware that you’re taking pictures of him, he’ll often appear less relaxed. Only photographers who can blend in can capture the real face. Clearly, I’ve got this down pat. Haha.
Leica M8 with Summicron 35mm f2 v4 King of Bokeh (7-element)
